Nantilus
Vermeer, faith in painting
Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch c...
Enregistré dans:
| Auteurs principaux : | , |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Vermeer, faith in painting / Daniel Arasse; translated by Terry Grabar |
| Publié : |
Princeton, N.J. :
Princeton University Press
, C 1994 |
| Description matérielle : | 1 vol. (xiii-136 p., 61p. de pl.) |
| Contenu : | Ch. 1. "The Mysterious Vermeer". Ch. 2. The Professional Context. Vermeer's Reputation. Vermeer and Money. Vermeer and Painting. Ch. 3. The-Picture-within-the-Picture. False Citations. The Suspension of Meaning. The Mirror of Art. Ch. 4. The Art of Painting. A Personal Allegory. The Painter's Double Horizon. "Nova Descriptio" A Painter's Position. Ch. 5. The Place Within. Surface Space. The Figure and Its Locus. Precision and Blur. Ch. 6. Vermeer's Religion. Appendix 1: "The Mysterious Vermeer" / Jean Louis Vaudoyer. Appendix 2: About the Girl in a Red Hat |
| Sujets : |
| LEADER | 02407cam a2200433 4500 | ||
|---|---|---|---|
| 001 | PPN276732952 | ||
| 003 | http://www.sudoc.fr/276732952 | ||
| 005 | 20240405055700.0 | ||
| 010 | |a 978-0-6910-2930-6 | ||
| 035 | |a (OCoLC)1131140160 | ||
| 073 | 0 | |a 9780691029306 | |
| 100 | |a 20240329d1994 k y0frey0103 ba | ||
| 101 | 1 | |a eng |c fre |2 639-2 | |
| 102 | |a US | ||
| 105 | |a af a 001yy | ||
| 106 | |a r | ||
| 181 | |6 z01 |c txt |2 rdacontent | ||
| 181 | 1 | |6 z01 |a i# |b xxxe## | |
| 182 | |6 z01 |c n |2 rdamedia | ||
| 182 | 1 | |6 z01 |a n | |
| 183 | |6 z01 |a nga |2 RDAfrCarrier | ||
| 200 | 1 | |a Vermeer, faith in painting |f Daniel Arasse |g translated by Terry Grabar | |
| 214 | 0 | |a Princeton, N.J. |c Princeton University Press | |
| 214 | 4 | |d C 1994 | |
| 215 | |a 1 vol. (xiii-136 p., 61p. de pl.) |c ill. en coul. |d 24 cm | ||
| 320 | |a Bibliogr. p. 127-132. Index | ||
| 327 | 1 | |a Ch. 1. "The Mysterious Vermeer" |a Ch. 2. The Professional Context. Vermeer's Reputation. Vermeer and Money. Vermeer and Painting |a Ch. 3. The-Picture-within-the-Picture. False Citations. The Suspension of Meaning. The Mirror of Art |a Ch. 4. The Art of Painting. A Personal Allegory. The Painter's Double Horizon. "Nova Descriptio" A Painter's Position |a Ch. 5. The Place Within. Surface Space. The Figure and Its Locus. Precision and Blur |a Ch. 6. Vermeer's Religion |a Appendix 1: "The Mysterious Vermeer" / Jean Louis Vaudoyer |a Appendix 2: About the Girl in a Red Hat | |
| 330 | |a Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontaton with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art |2 4ème de couverture | ||
| 600 | 1 | |3 PPN027336336 |a Vermeer |b Johannes |f 1632-1675 |2 rameau | |
| 606 | |3 PPN027280497 |a Art et religion |2 rameau | ||
| 676 | |a 759.9492 |v 20 | ||
| 680 | |a ND653.V5 |b A9313 1994 | ||
| 700 | 1 | |3 PPN026689138 |a Arasse |b Daniel |f 1944-2003 |c historien de l'art |4 070 | |
| 701 | 1 | |3 PPN255822243 |a Grabar |b Terry |f 19..- |4 730 | |
| 801 | 3 | |a FR |b Abes |c 20240404 |g AFNOR | |
| 801 | 0 | |b DLC |g AACR2 | |
| 979 | |a LET | ||
| 930 | |5 441092102:81687252X |b 441092102 |j u | ||
| 998 | |a 947796 | ||