Nantilus
Vermeer, faith in painting
Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch c...
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| Auteurs principaux : | , |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Vermeer, faith in painting / Daniel Arasse; translated by Terry Grabar |
| Publié : |
Princeton, N.J. :
Princeton University Press
, C 1994 |
| Description matérielle : | 1 vol. (xiii-136 p., 61p. de pl.) |
| Contenu : | Ch. 1. "The Mysterious Vermeer". Ch. 2. The Professional Context. Vermeer's Reputation. Vermeer and Money. Vermeer and Painting. Ch. 3. The-Picture-within-the-Picture. False Citations. The Suspension of Meaning. The Mirror of Art. Ch. 4. The Art of Painting. A Personal Allegory. The Painter's Double Horizon. "Nova Descriptio" A Painter's Position. Ch. 5. The Place Within. Surface Space. The Figure and Its Locus. Precision and Blur. Ch. 6. Vermeer's Religion. Appendix 1: "The Mysterious Vermeer" / Jean Louis Vaudoyer. Appendix 2: About the Girl in a Red Hat |
| Sujets : |
BU Lettres
| | Cote | Prêt | Statut |
|---|---|---|---|
| Salle B (RDC) Art | 759.04 VER J | Empruntable | Disponible |