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Introduction /James Fisher. From tolerance to liberation: gay drama in the mainstream from Torch song trilogy and The normal heart to Angels in America, Love! valour! compassion! and Take me out / James Fisher. Mainsteam theatre, mass media, and the 1985 premiere of The normal heart: negotiating forces between emergent and dominant ideologies / Jacob Juntunen. "Not just any woman": Bradford Louryk, a legacy of Charles Ludlam and the ridiculous theatre for the twenty-first century / Sean F. Edgecomb --- Mamet, homophobia, and Chicago politics / Charles Eliot Mehler. No tragedy: queer evil in the metaphysical comedies of Nicky Silver / Jordan Schildcrout. Gay and lesbian theatre for young people or the representation of "troubled youth" / Manon van de Water and Annie Giannini. Crossing the border: Irish drama and the queer American character / David Cregan. Lisa Kron: facing and placing lesbian identity on New York stages / Leslie Atkins Durham. The last gay man: Raised in captivity and Hurrah at last / Robert F. Gross. The soundplay's the thing: a formal analysis of John (aka Lypsinka) Epperson's queer performance texts / Robert F. Gross. The soundplay's the thing: a formal analysis of John (aka Lypsinka) Epperson's queer performance texts / Joe E. Jeffreys. The (fe)male gays: split britches and the redressing of dyke camp / Paul Menard. "Ladies and gentlemen, people die": the uncomfortable performances of Kiki and Herb / James Wilson |
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