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|a eng
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|a r
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|a Clarence Major and his art
|b Texte imprimé
|e portraits of an African American postmodernist
|f edited by Bernard W. Bell
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210 |
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|a Chapel Hill
|a London
|c University of North Carolina Press
|d cop. 2001
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215 |
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|a 1 vol. (281 p.-[8] p. de pl.)
|c ill. en coul.
|d 24 cm
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320 |
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|a Notes bibliogr., index
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327 |
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|a Introduction : Clarence Major's transgressive voice and double consciousness as an African American postmodernist artist / Bernard W. Bell
|a Necessary distance : afterthoughts on becoming a writer / Clarence Major
|a "I follow my eyes" : an interview wtih Clarence Major / Larry McCaffery and Jerzy Kutnik
|a Reading the painterly text : Clarence Major's "The slave trade" : view from the middle passage / Linda Furgerson Selzer
|a To define an ultimate dimness : the poetry of Clarence Major / Nathaniel Mackey
|a Clarence Major's innovative fiction / Jerome Klinkowitz
|a The double vision of Clarence Major : painter and writer / Lisa C. Roney
|a Reflex and bone structure : the Black anti-detective novel / Stephen F. Soitos
|a Clarence Major's All-night visitors : calibanic discourse and Black male expression / James W. Coleman
|a "I was a weird example of art" : My amputations as cubist confession / Stuart Klawans
|a Clarence Major's homecoming voice in Such was the season / Bernard W. Bell
|a Against commodification : Zuni culture in Clarence Major's native American texts / Steve Hayward
|a Clarence Major's singing voice(s) / Joe Weixlmann
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