Détails bibliographiques
| Auteur principal : |
Major Clarence
(Auteur) |
| Autres auteurs : |
Bell Bernard W
(Éditeur scientifique) |
| Format : |
Livre |
| Langue : |
anglais |
| Titre complet : |
Clarence Major and his art : portraits of an African American postmodernist / edited by Bernard W. Bell |
| Publié : |
Chapel Hill, London :
University of North Carolina Press
, cop. 2001
|
| Description matérielle : |
1 vol. (281 p.-[8] p. de pl.) |
| Contenu : |
Introduction : Clarence Major's transgressive voice and double consciousness as an African American postmodernist artist / Bernard W. Bell. Necessary distance : afterthoughts on becoming a writer / Clarence Major. "I follow my eyes" : an interview wtih Clarence Major / Larry McCaffery and Jerzy Kutnik. Reading the painterly text : Clarence Major's "The slave trade" : view from the middle passage / Linda Furgerson Selzer. To define an ultimate dimness : the poetry of Clarence Major / Nathaniel Mackey. Clarence Major's innovative fiction / Jerome Klinkowitz. The double vision of Clarence Major : painter and writer / Lisa C. Roney. Reflex and bone structure : the Black anti-detective novel / Stephen F. Soitos. Clarence Major's All-night visitors : calibanic discourse and Black male expression / James W. Coleman. "I was a weird example of art" : My amputations as cubist confession / Stuart Klawans. Clarence Major's homecoming voice in Such was the season / Bernard W. Bell. Against commodification : Zuni culture in Clarence Major's native American texts / Steve Hayward. Clarence Major's singing voice(s) / Joe Weixlmann |
| Sujets : |
|
Nantilus
