Clarence Major and his art : portraits of an African American postmodernist

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Détails bibliographiques
Auteur principal : Major Clarence (Auteur)
Autres auteurs : Bell Bernard W (Éditeur scientifique)
Format : Livre
Langue : anglais
Titre complet : Clarence Major and his art : portraits of an African American postmodernist / edited by Bernard W. Bell
Publié : Chapel Hill, London : University of North Carolina Press , cop. 2001
Description matérielle : 1 vol. (281 p.-[8] p. de pl.)
Contenu : Introduction : Clarence Major's transgressive voice and double consciousness as an African American postmodernist artist / Bernard W. Bell. Necessary distance : afterthoughts on becoming a writer / Clarence Major. "I follow my eyes" : an interview wtih Clarence Major / Larry McCaffery and Jerzy Kutnik. Reading the painterly text : Clarence Major's "The slave trade" : view from the middle passage / Linda Furgerson Selzer. To define an ultimate dimness : the poetry of Clarence Major / Nathaniel Mackey. Clarence Major's innovative fiction / Jerome Klinkowitz. The double vision of Clarence Major : painter and writer / Lisa C. Roney. Reflex and bone structure : the Black anti-detective novel / Stephen F. Soitos. Clarence Major's All-night visitors : calibanic discourse and Black male expression / James W. Coleman. "I was a weird example of art" : My amputations as cubist confession / Stuart Klawans. Clarence Major's homecoming voice in Such was the season / Bernard W. Bell. Against commodification : Zuni culture in Clarence Major's native American texts / Steve Hayward. Clarence Major's singing voice(s) / Joe Weixlmann
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