Music in action film : sounds like action!

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Détails bibliographiques
Auteurs principaux : Buhler James (Directeur de publication), Durrand Mark (Directeur de publication)
Format : Livre
Langue : anglais
Titre complet : Music in action film : sounds like action! / edited by James Buhler and Mark Durrand
Publié : New York [etc.] : Routledge, Taylor & Francis group , 2021
Description matérielle : 1 volume (xxviii-303 pages)
Collection : Routledge music and screen media series series editor, Neil Lerner
Sujets :
  • P. x
  • Preface. Sounds Like Action! / James Buhler and Mark Durrand
  • P. 1
  • Part I : Action Scored : Politics, Representation, and Identity
  • P. 3
  • 1. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt
  • P. 18
  • 2. "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp
  • P. 37
  • 3. "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar
  • P. 59
  • 4. Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki
  • P. 78
  • 5. Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville
  • P. 97
  • Part II : Action Scores : Evolving Musical Conventions
  • P. 99
  • 6. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner
  • P. 116
  • 7. John Williams's Action Music in the Twenty-First Century / Frank Lehman
  • P. 149
  • 8. "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer
  • P. 165
  • 9. Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld
  • P. 181
  • 10. A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus
  • P. 201
  • Part III : Scoring Action : The Kinesthetic Experience and Production
  • P. 203
  • 11. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts
  • P. 221
  • 12. Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand
  • P. 238
  • 13. Sound-Induced Visual Illusion in Film / Sarah Louden
  • P. 256
  • 14. "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament
  • P. 273
  • 15. Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler