|
|
|
|
LEADER |
03818cam a2200529 4500 |
001 |
PPN254247415 |
003 |
http://www.sudoc.fr/254247415 |
005 |
20240320154800.0 |
010 |
|
|
|a 978-0-8153-8449-6
|b rel.
|
010 |
|
|
|a 0-8153-8449-1
|b rel.
|
010 |
|
|
|a 978-0-8153-8450-2
|b br.
|
010 |
|
|
|a 0-8153-8450-5
|b br.
|
020 |
|
|
|a US
|b 2020022575
|
020 |
|
|
|a GB
|b C0D3425
|
035 |
|
|
|a (OCoLC)1156444041
|
035 |
|
|
|a on1156444041
|
035 |
|
|
|a UKMGB019927682
|
073 |
|
1 |
|a 9780815384502
|b br.
|
100 |
|
|
|a 20210319h20212021k y0engy0103 ba
|
101 |
0 |
|
|a eng
|e eng
|2 639-2
|
102 |
|
|
|a US
|a GB
|
105 |
|
|
|a ag a 001yy
|
106 |
|
|
|a r
|
181 |
|
|
|6 z01
|c txt
|2 rdacontent
|
181 |
|
1 |
|6 z01
|a i#
|b xxxe##
|
182 |
|
|
|6 z01
|c n
|2 rdamedia
|
182 |
|
1 |
|6 z01
|a n
|
183 |
|
1 |
|6 z01
|a nga
|2 RDAfrCarrier
|
200 |
1 |
|
|a Music in action film
|e sounds like action!
|f edited by James Buhler and Mark Durrand
|
214 |
|
0 |
|a New York [etc.]
|c Routledge, Taylor & Francis group
|d 2021
|
215 |
|
|
|a 1 volume (xxviii-303 pages)
|c illustrations, partitions
|d 23 cm
|
225 |
2 |
|
|a Routledge music and screen media series
|
320 |
|
|
|a Notes bibliogr. Index
|
359 |
2 |
|
|p P. x
|b Preface. Sounds Like Action! / James Buhler and Mark Durrand
|p P. 1
|b Part I : Action Scored : Politics, Representation, and Identity
|p P. 3
|c 1. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt
|p P. 18
|c 2. "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp
|p P. 37
|c 3. "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar
|p P. 59
|c 4. Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki
|p P. 78
|c 5. Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville
|p P. 97
|b Part II : Action Scores : Evolving Musical Conventions
|p P. 99
|c 6. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner
|p P. 116
|c 7. John Williams's Action Music in the Twenty-First Century / Frank Lehman
|p P. 149
|c 8. "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer
|p P. 165
|c 9. Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld
|p P. 181
|c 10. A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus
|p P. 201
|b Part III : Scoring Action : The Kinesthetic Experience and Production
|p P. 203
|c 11. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts
|p P. 221
|c 12. Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand
|p P. 238
|c 13. Sound-Induced Visual Illusion in Film / Sarah Louden
|p P. 256
|c 14. "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament
|p P. 273
|c 15. Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler
|
410 |
|
| |
|0 151664145
|t Routledge music and screen media series
|f series editor, Neil Lerner
|c New York
|n Routledge
|d 2010
|
606 |
|
|
|3 PPN027301125
|a Musique de film
|2 rameau
|
606 |
|
|
|3 PPN029365198
|a Films d'aventures
|2 rameau
|
676 |
|
|
|a 781.5/42
|v 23
|
680 |
|
|
|a ML2075
|b .M8787 2020
|
700 |
|
1 |
|3 PPN140524282
|a Buhler
|b James
|f 1964....
|4 651
|
701 |
|
1 |
|3 PPN254247601
|a Durrand
|b Mark
|4 651
|
801 |
|
3 |
|a FR
|b Abes
|c 20210503
|g AFNOR
|
801 |
|
0 |
|b DLC
|g AACR2
|
801 |
|
2 |
|b OCLCO
|g AACR2
|
979 |
|
|
|a PHILO
|
930 |
|
|
|5 441092107:692869638
|b 441092107
|j s
|
998 |
|
|
|a 889830
|