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02060cam a2200409 4500 |
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PPN227973291 |
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http://www.sudoc.fr/227973291 |
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20240320154600.0 |
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|a 978-3-319-61692-6
|b rel
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|a eng
|2 639-2
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|a CH
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|c txt
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|b xxxe##
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|a Film/music analysis
|e a film studies approach
|f Emilio Audissino
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| 214 |
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|a Cham (Suisse)
|c Palgrave Macmillan
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|d C 2017
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|a 1 vol. (xiii-245 p.)
|c ill. en noir et en coul., musique, couv. ill. en coul.
|d 22 cm
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| 225 |
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|a Palgrave studies in audio-visual culture
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| 320 |
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|a Références bibliogr. à la fin des chapitres. Filmographie p. 231-235. Index
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| 359 |
2 |
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|b Introduction: who is entitled to study film music?
|b Part I. Pars destruens
|c The not-so-fantastical gap between music studies and film studies
|b cRecent attempts to bridge the gap and overcome a separatist conception
|b Part II. Pars construens
|c The neoformalism proposal
|c Film/music analysis I : music, gestalt, and audiovisual isomorphism
|c Film/music analysis II : functions and motivations of music
|b Pars III. Pars Demonstrans
|c Five illustrations of film/music analysis
|c Close encounters of the Third Kind and E.T. The Extraterrestrial : the bonding power of music
|c Recapitulation and final thoughts
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| 410 |
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|0 195725778
|t Palgrave studies in audio-visual culture
|f series editor : K.J. Donnelly
|c Houndmills, Basingstoke, Hampshire
|n Palgrave Macmillan
|d 2016
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| 606 |
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|3 PPN027301125
|a Musique de film
|2 rameau
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| 606 |
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|3 PPN027301125
|a Musique de film
|3 PPN027346900
|x Psychologie
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|3 PPN187063907
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|b Emilio
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