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01926cam a2200421 4500 |
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PPN227603826 |
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http://www.sudoc.fr/227603826 |
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20240320154600.0 |
| 010 |
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|a 978-1-107-09839-8
|b relié
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|a 978-1-107-48546-4
|b broché
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|a US
|b 2014043069
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|a 18354427
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|a LC-18354427
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|a 20180614d2015 k y0frey0103 ba
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|a eng
|2 639-2
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|a GB
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|a ag z 001yy
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|a r
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|6 z01
|c txt
|2 rdacontent
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|6 z01
|a i#
|b xxxe##
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|a n
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|6 z01
|a nga
|2 RDAfrCarrier
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1 |
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|a Understanding the leitmotif
|e from Wagner to Hollywood film music
|f Matthew Bribitzer-Stull
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|a Cambridge
|c Cambridge University Press
|d 2015
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| 215 |
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|a 1 vol. (xxiv-331 p.)
|c ill., couv. ill., musique
|d 26 cm
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| 305 |
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|a Réimpression 2017 (broché)
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| 320 |
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|a Bibliogr. p. 301-320. Index.
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| 359 |
2 |
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|b 1. Introduction: the leitmotif problem
|b pt. I. MUSICAL THEMES
|c 2. Motive, phrase, melody, and theme
|c 3. Thematic development, thematic identity: musical themes and the prototype model
|b pt. II. MUSICAL ASSOCIATION
|c 4.The phenomenon of musical association
|c 5. Piece specifics, cultural generics, and associative layering
|c a6. From Nibelheim to Hollywood: the associativity of harmonic progression
|b pt. III. LEITMOTIFS IN CONTEXT
|c 7. The paradigm of Wagner's Ring
|c 8. Leitmotif in Western art music outside The Ring
|c 9. The modern-day leitmotif: associative themes in contemporary film music
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| 604 |
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|3 PPN03047065X
|a Wagner, Richard (1813-1883)
|t Opéras
|2 rameau
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| 606 |
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|3 PPN027301125
|a Musique de film
|2 rameau
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| 676 |
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|a 781.8/2
|v 23
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| 700 |
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1 |
|3 PPN227603699
|a Bribitzer-Stull
|b Matthew
|f 1972-....
|4 070
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| 801 |
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|a FR
|b Abes
|c 20220329
|g AFNOR
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|b DLC
|g AACR2
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| 979 |
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|a PHILO
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|5 441092107:613467655
|b 441092107
|j s
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| 998 |
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|a 812412
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Nantilus
