Otis Redding : an unfinished life

"Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as "(Sittin' on) The Dock of the Bay," "I've Been Loving You Too Long," "Try a Little Tenderness," and "Respect," a song he wrote and...

Description complète

Enregistré dans:
Détails bibliographiques
Auteur principal : Gould Jonathan (Auteur)
Format : Livre
Langue : anglais
Titre complet : Otis Redding : an unfinished life / Jonathan Gould
Publié : New York : Crown archetype , copyright 2017
Description matérielle : 1 vol. (VIII-533 p.)
Sujets :
LEADER 02489nam a2200361 4500
001 PPN225442566
003 http://www.sudoc.fr/225442566
005 20180402004900.0
010 |a 978-0-307-45394-5  |b rel. 
073 0 |a 9780307453945 
100 |a 20180328h20172017m y0frey0103 ba 
101 0 |a eng 
102 |a US 
105 |a a az 001yb 
106 |a r 
181 |6 z01  |c txt  |2 rdacontent 
181 1 |6 z01  |a i#  |b xxxe## 
182 |6 z01  |c n  |2 rdamedia 
182 1 |6 z01  |a n 
183 1 |6 z01  |a nga  |2 rdacarrier 
200 1 |a Otis Redding  |e an unfinished life  |f Jonathan Gould 
210 |a New York  |c Crown archetype  |d copyright 2017 
215 |a 1 vol. (VIII-533 p.)  |c ill.  |d 24 cm 
320 |a Bibliogr. p. 503-516. Notes bibliogr. Index 
330 |a "Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as "(Sittin' on) The Dock of the Bay," "I've Been Loving You Too Long," "Try a Little Tenderness," and "Respect," a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967. In chronicling the story of Redding's life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day" 
600 1 |3 PPN07022739X  |a Redding  |b Otis  |f 1941-1967  |3 PPN027281558  |x Biographies  |2 rameau 
606 |3 PPN114526656  |a Musiciens de soul  |3 PPN027225488  |y États-Unis  |3 PPN027281558  |x Biographies  |2 rameau 
606 |3 PPN03314656X  |a Musiciens noirs américains  |3 PPN027281558  |x Biographies  |2 rameau 
700 1 |3 PPN131577883  |a Gould  |b Jonathan  |f 1951-....  |4 070 
801 3 |a FR  |b Abes  |c 20180328  |g AFNOR 
979 |a LET 
930 |5 441092102:606849785  |b 441092102  |j u 
998 |a 784449