Nantilus
Re-Membering the Present
This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, created, disseminated, and interpre...
Enregistré dans:
| Auteur principal : | |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Re-Membering the Present / Maria Dobozy |
| Publié : |
Turnhout :
Brepols (éditions)
, 2005 |
| Collection : | Disputatio ; 6 |
| Accès en ligne : |
Accès Nantes Université
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| Sujets : |
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| 330 | |a This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, created, disseminated, and interpreted the medieval poetic oeuvre. Performance theory is used as a framework throughout. Since no social history of poet-performers exists in English, part I presents a social history that re-examines what is known about social status, cultural image and employment. Part II investigates the affective nature of performance and focuses on poet-composer-performers. This study argues that performance techniques (gesture, voice, instrumentation) that create an electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance. Readings of several texts are offered, including romances, the political songs of well-known poet-performers (i.e. Walther von der Vogelweide) and the gnomic poets ( Spruchdichter) whose songs have been neglected until recently. The songs are quite intricate and multivalent as they masterfully display an aesthetic totally integrated with their performative context. | ||
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| 610 | 0 | |a Area Studies Europe | |
| 610 | 0 | |a Performing Arts | |
| 610 | 0 | |a Romance Languages | |
| 610 | 0 | |a Medieval History | |
| 610 | 0 | |a Musicology | |
| 610 | 0 | |a History | |
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