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Strange tools : art and human nature
"What is art? Why does it matter to us? What does it tell us about ourselves? Normally, we look to works of art in order to answer these fundamental questions. But what if the objects themselves are not what matter? in 'Strange Tools: Art and Human nature, ' the philosopher and cognit...
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| Auteur principal : | |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Strange tools : art and human nature / Alva Noë |
| Publié : |
New York :
Hill and Wang, a division of Farrar, Straus and Giroux
, 2015 |
| Description matérielle : | 1 vol. (XIII-285 p.) |
| Sujets : |
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| 200 | 1 | |a Strange tools |e art and human nature |f Alva Noë | |
| 214 | 0 | |a New York |c Hill and Wang, a division of Farrar, Straus and Giroux |d 2015 | |
| 215 | |a 1 vol. (XIII-285 p.) |d 24 cm | ||
| 305 | |a Autre tirage : 2016 (en édition brochée) | ||
| 320 | |a Bibliogr. p. [265]-273. Index | ||
| 330 | |a "What is art? Why does it matter to us? What does it tell us about ourselves? Normally, we look to works of art in order to answer these fundamental questions. But what if the objects themselves are not what matter? in 'Strange Tools: Art and Human nature, ' the philosopher and cognitive scientist Alva Noë, art argues that our obsession with works of art has gotten in the way of understanding how art works on us. For Noë, art isn't a phenomenon in need of an explanation but a mode of research, a method of investigating what makes us human - a strange tool. Art isn't just something to look at or listen to - it is a challenge, a dare to try to make sense of what it is all about. Art aims not for satisfaction but for confrontation, intervention, and subversion. Through diverse and provocative examples from the history of art-making, Noë reveals the transformative power of artistic production. By staging a dance, choreographers cast light on the way bodily movement organizes us. Painting goes beyond depiction and representation to call into question the role of pictures in our lives. Accordingly, we cannot reduce art to some natural aesthetic sense or trigger; recent efforts to frame questions of art in terms of neurobiology and evolutionary theory alone are doomed to fail. By engaging with art, we are able to study ourselves in profoundly novel ways. In fact, art and philosophy have much more in common than you might think. Reframing the conversation around artists and their craft, 'Strange Tools' is a daring and stimulating intervention in contemporary thought" | ||
| 359 | 1 | |b Getting organized |b Reorganizing ourselves |b Designers by nature |b Art loops and the garden of eden |b Art, evolution, and the puzzle of puzzles |b A short note on ecstasy, sports, and humor |b Philosophical objects |b See me if you can! |b Why is art so boring? |b Art and the limits of neuroscience |b Art is a philosophical practice, and philosophy an aesthetic one |b Making pictures |b Using models |b Pictorial strategies |b Air guitar styles |b The sound of music |b A very abbreviated and highly opinionated history of aesthetics | |
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