Only connect : E. M. Forster's legacies in British fiction
"This book questions the artistic, aesthetic, political and ethical legacy of E. M. Forster's novels. It covers Forster's literary, cinematic and musical legacies across the twentieth and twenty-first centuries, and deal with many authors, such as Melville, Isherwood, Hollinghurst and...
Enregistré dans:
Auteurs principaux : | , |
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Format : | Livre |
Langue : | anglais |
Titre complet : | Only connect : E. M. Forster's legacies in British fiction / Elsa Cavalié & Laurent Mellet (eds) |
Publié : |
Bern [etc.] :
Peter Lang
, C 2017 |
Description matérielle : | 1 vol. (348 p.) |
Collection : | Critical perspectives on English and American literature, communication and culture (Print) ; 18 |
Sujets : |
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214 | 4 | |d C 2017 | |
215 | |a 1 vol. (348 p.) |d 23 cm | ||
225 | 0 | |a Critical perspectives on English and American literature, communication and culture |v Vol. 18 | |
320 | |a Notes bibliogr. et réf. bibliogr. en fin de contribution. | ||
330 | |a "This book questions the artistic, aesthetic, political and ethical legacy of E. M. Forster's novels. It covers Forster's literary, cinematic and musical legacies across the twentieth and twenty-first centuries, and deal with many authors, such as Melville, Isherwood, Hollinghurst and Kureishi." | ||
359 | 2 | |b Introduction: Forster and After (Elsa Cavalié and Laurent Mellet) |b Part I. New perspectives on Forster: personal legacies |c Civilization and Natural Depravity: On Forster, Melville, Lawrence, and Britten (Jeremy Tambling) |c Reconstructing Knowledge in A Passage to India (Tim Mackin) |c 'Well, my England is E. M.': Christopher Isherwood and E. M. Forster's Alliance through their Correspondence (Aude Haffen) |c The Issues of Liberal Humanism and the Condition of England from E. M. Forster to Angus Wilson (Jean-Christophe Murat) |b Part II: Ethical legacies: from Forster to contemporary British fiction |c He Cared: Forster, McEwan, and the Ethics of Attentiveness (Jean-Michel Ganteau) |c Tracing 'the Heart's Imagination' in Contemporary British Fiction (Marie Laniel) |c The Subject/Object Commodity: From Forster's Howards End to Ishiguro's Never Let Me Go (Yi-Chuang E. Lin) |c 'Her Way of Walking': Explorations of Nature and the Unseen in Forster's Howards End and Robert Macfarlane's The Old Ways (Christina Root) |c E. M. Forster's Place in the Long Discourse of Friendship (Maaz Bin Bilal) |b Part III: Aesthetic legacies: 'Only connect'? |c 'Common Garden Variety' or 'Rare Bird': The Persistence of E. M. Forster's Singular Song (Catherine Lanone) |c In Timeless Company: E. M. Forster and J. M. Coetzee (N. Cyril Fischer) |c Walking, Strolling and Trailing: Ivory's Adaptation of Movement in Forster's Howards End (Nour Dakkak) |c 'The Muddling of the Arts': Modernist Rites and Rhythms in Forster, Woolf and McEwan (Susan Reid) |c E. M. Forster and the Obsession for Rhythm: Rewriting 'The Story of a Panic' with 'The Life to Come' (Julie Chevaux) |c Part IV: Gay legacies: 'Only disconnect'? |b The Postcolonial Queer and the Legacies of Colonial Homoeroticism: Of Queer Lenses and Phenomenology in E. M. Forster, David Lean and Hanif Kureishi (Alberto Fernandez Carbajal) |c Coupling: the 'Lost Form' of 20th-Century Literature? - Or Only Disconnect (Nicolas Pierre Boileau) |c Creative Criticism/Critical Creation: E. M. Forster and Alan Hollinghurst (Xavier Giudicelli) |c Forster's Pastoral Legacy in Trauma Poetics: The Melancholic Neo-Pastoral in Hollinghurst's The Swimming-Pool Library and The Folding Star (José Mari Yebra) |c Damon Galgut's Arctic Summer (2014) in Context (Celia Cruz-Rus) | |
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