Nantilus
The Palgrave handbook of sound design and music in screen media : integrated soundtracks
Enregistré dans:
| Auteurs principaux : | , |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | The Palgrave handbook of sound design and music in screen media : integrated soundtracks / Liz Greene, Danijela Kulezic-Wilson, Editors |
| Publié : |
London :
Palgrave Macmillan
, C 2016 |
| Description matérielle : | 1 vol. (xix-468 p.) |
| Sujets : |
- Part I : Boundaries and their disintegration
- From noise : blurring the boundaries of the soundtrack / Liz Greene
- Interview 1: Sound recording, sound design and collaboration : an interview with Ann Kroeber / Liz Green
- Organizing sound : labourg organizations and power struggles that helped define music and sound in Hollywood / Gilanluca Sergi
- Mixing as a hyperorchestration tool / Sergie Casanelles
- Emotional sound effects and metal machine music : soundworlds in Silent Hill games and films / K.J. Donnelly
- Part II : presence, immersion, space
- Towards 3-D sound : spatial presence and the space vacuum / Miguel Mera
- Inner and outer worlds in the film Gravity / Gilbert Gabriel & David Sonnenschein
- Intertwining music and sound in film / Martine Huvenne
- Interview 2 : Reality and representation : an interview with Dario Marianelli / Miguel Mera
- Part III : Listening : affect and body
- Sound effects/Sound affects : "Meaningful" noise in the cinema / James Wierzbicki
- Listening to violence : point-of-audition sound, aural interpellation, and the rupture of hearing / Tony Grajeda
- Acoustic disgust : sound, affect, and cinematic violence / Lisa Coulthard
- Part IV : Time and memory
- Mad sound and the crystal-image: the soundtrack of Rivette's L'Amour fou / Byron Almén and James Buhler
- The sonic realm in The Quatermass experiment : medium and genre and sound / Robynn J. Stilwell
- Sound, music and memory in Jia Zhangke's "Hometown trilogy" / Philippa Lovatt
- Vinyl noise and narrative in CD-Era Indiewood / Ian Garwood
- Interview 3: Mixing punk rock, classical, and new sounds in film music : an interview with Brian Reitzell / Meghan Joyce Tozer
- Part V : Breaking conventions
- From analogue to digital : synthesizers and discourses of film sound in the 1980's / Katherine Spring
- Unlearning film school: the "lo-fi" soundtracks of Joe Swanberg / Nessa Johnston
- The Janus project : Cristobal Tapia de Veer's Utopia, anempathetic empathy and the radicalization of convention / Annette Davidson and Nicholas Reyland
- Interview 4: building bridges : sound design as collaboration, as style and as music in The bridge : An interview with Carl Edström / Annette Davidson and Martin Parker
- Part VI : The sound of machines and non-humans
- The sound of an android's soul : music, MIDI and muzak in Time of eve / Philip Brophy
- The sounds in the machine : Hirokazu Tanaka's cybernetic soundscape for Metroid / William Gibbons
- Redundancy and information in explanatory voice-ins and vocie-offs / Cormac Deane
- Interview 5 : Under the skin of film sound : an interview with Johnnie Burn / John Hough
- Part VII : the musicality of soundtrack
- Electroacoustic composition and the british documentary tradition / Andy Birtwistle
- Renegotiating the overture : the use of sound and music in the opening sequences of A single man and Shame / Adam Melvin.
- Interview 6: Orchestration, collaboration, and the integrated soundtrack : an interview with Matt Dunkley / Ian Sapiro
- Musically conceived sound design, musicalization of speech and the breakdown of film soundtrack hierarchy / Danijela Kulezic-Wilson