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02052cam a2200541 4500 |
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PPN195955137 |
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http://www.sudoc.fr/195955137 |
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20240320154500.0 |
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|a 978-1-86189-341-3
|b br.
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|a 1-86189-341-8
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|a GB
|b A737524
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|a (OCoLC)779865385
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|a ocn132314768
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|a AU@000042559860
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|a GEBAY10755742
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|a NLGGC308823435
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|a NZ111616769
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|a UKBOR108665070
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|a UNITY108665070
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|a DEBBGBV022553512
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|a 20161021h20072007k y0frey0103 ba
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|a eng
|c nor
|2 639-2
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|a GB
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|a ag a 001yy
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|a r
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|6 z01
|c txt
|2 rdacontent
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|6 z01
|a i#
|b xxxe##
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|2 RDAfrCarrier
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1 |
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|a Film music
|f Peter Larsen
|g English translation by John Irons
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| 214 |
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|a London
|c Reaktion books
|d 2007
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| 215 |
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|a 1 vol. (254 p.)
|c ill., partitions, couv. ill.
|d 22 cm
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| 305 |
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|a Autre(s) tirage(s) : 2012
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| 320 |
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|a Bibliogr. p. [239]-244. Notes bibliogr. Index
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| 359 |
2 |
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|p P. 13
|b 1. Silent films, talking music
|p P. 36
|b 2. Analysing film music
|p P. 47
|b 30 Back to the future: Metropolis, 1927
|p P. 66
|b 4. Musical meanings
|p P. 76
|b 5. Enter the sound film
|p P. 98
|b 6. Film music from the golden age: The big sleep, 1946
|p P. 123
|b 7. Other ways: North by northwest, 1959
|p P. 146
|b 8. Striking a new note: film music after the golden age
|p P. 184
|b 9. Necessity or possibility?: the psychology of film music
|p P. 202
|b 10. Musical functions
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| 454 |
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|t Filmmusikk : historie, analyse, teori
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| 606 |
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|3 PPN027301125
|a Musique de film
|2 rameau
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| 676 |
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|a 781.54209
|v 22
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| 680 |
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|a ML2075
|b .L33413 2007
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| 700 |
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1 |
|3 PPN180833243
|a Larsen
|b Peter
|f 1943-....
|4 070
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| 701 |
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1 |
|3 PPN132142007
|a Irons
|b John
|4 730
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| 801 |
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|a FR
|b Abes
|c 20210531
|g AFNOR
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|b UKM
|g AACR2
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|b BAKER
|g AACR2
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| 979 |
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|a PHILO
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|5 441092107:56530299X
|b 441092107
|j s
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| 998 |
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|a 749396
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