Critical perspectives on roman baroque sculpture
"Traite de la sculpture du XVIIe siècle à Rome, met l' accent sur les questions de contexte historique et critique, y compris l'interaction entre la théorie et la pratique, les rôles créatifs de sculpteurs et patrons, la relation de la sculpture à des modèles antiques et à la peinture...
Enregistré dans:
Autres auteurs : | , |
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Format : | Livre |
Langue : | anglais |
Titre complet : | Critical perspectives on roman baroque sculpture / edited by Anthony Colantuono and Steven F. Ostrow |
Publié : |
University Park, Pennsylvania :
The Pennsylvania State University Press
, cop.2014 |
Description matérielle : | 1 vol. (XIV-272 p.) |
Sujets : |
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200 | 1 | |a Critical perspectives on roman baroque sculpture |f edited by Anthony Colantuono and Steven F. Ostrow | |
210 | |a University Park, Pennsylvania |c The Pennsylvania State University Press |d cop.2014 | ||
215 | |a 1 vol. (XIV-272 p.) |c ill., jaquette ill. en coul. |d 27 cm | ||
320 | |a Bibliogr. p. [247]-266. Notes bibliogr. Index. | ||
330 | |a "Traite de la sculpture du XVIIe siècle à Rome, met l' accent sur les questions de contexte historique et critique, y compris l'interaction entre la théorie et la pratique, les rôles créatifs de sculpteurs et patrons, la relation de la sculpture à des modèles antiques et à la peinture contemporaine, ainsi que sur le sens contextuel et sa réception". | ||
359 | 1 | |b The "Accademia dei Scultori" in late sixteenth- and seventeenth-century Rome / Peter M. Lukehart |b Francesco Mochi : stone and scale / Michael Cole |b Impossible apostles : Francesco Mochi's Saint Peter and Saint Paul for S. Paolo fuori le mura / Estelle Lingo |b The poetry of atomism : Duquesnoy, Poussin, and the Song of Silenus / Anthony Colantuono |b Orfeo Boselli's Osservationi della scoltura antica : a seventeenth-century treatise on sculpture, its purpose, and its descent into obscurity / Maria Cristina Fortunati |b The sculptural altarpiece and its vicissitudes in the Roman church interior : Renaissance through Baroque / Damian Dombrowski |b "For we are made a spectacle unto the world, and to angels, and to men" : Alessandro Algardi's beheading of Saint Paul and the theatricality of martyrdom / Maarten Delbeke |b "Appearing to be what they are not" : Bernini's reliefs in theory and practice / Steven F. Ostrow |b The poisoned present : a new reading of Gianlorenzo Bernini's Rape of Proserpina / Christina Strunck |b "Humoring" the antique : Michel Anguier and the physiological interpretation of ancient Greek sculpture / Julia K. Dabbs |b On causes and effects : imitating nature in seventeenth-century sculpture between Rome and Paris / Aline Magnien | |
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