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01983cam a2200505 4500 |
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PPN18901167X |
| 003 |
http://www.sudoc.fr/18901167X |
| 005 |
20211105114100.0 |
| 010 |
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|a 978-0-253-01642-3
|b rel.
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| 010 |
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|a 978-0-253-01649-2
|b br.
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| 020 |
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|a US
|b 2014047475
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| 035 |
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|a (OCoLC)926845983
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|a ocn892878745
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| 035 |
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|a CHVBK33356295X
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| 035 |
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|a CHDSB006324694
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|a CHVBK338260412
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|a CHBIS010349293
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|a 20151022d2015 k y0frey0103 ba
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0 |
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|a eng
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|a US
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|a ag a 001yy
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| 106 |
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|a r
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| 181 |
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|6 z01
|c txt
|2 rdacontent
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|6 z01
|a i#
|b xxxe##
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|6 z01
|c n
|2 rdamedia
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|6 z01
|a n
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|6 z01
|a nga
|2 rdamedia
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| 200 |
1 |
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|a Meaning and interpretation of music in cinema
|f David Neumeyer
|g with contributions by James Buhler
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| 214 |
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|a Bloomington (Ind.)
|c Indiana University Press
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| 214 |
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|d C 2015
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| 215 |
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|a 1 vol. (XV-317 p.)
|c ill., couv. ill., partitions
|d 24 cm
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| 225 |
2 |
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|a Musical meaning and interpretation
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| 320 |
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|a Bibliogr. p. 291-304. Index
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| 359 |
2 |
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|b Meaning and interpretation. Music in the vococentric cinema; Tools for analysis and interpretation
|b Music in the mix : Casablanca . Acoustic stylization : the film's sound world ; Music and utopia : a reading of the reunion scene
|b The reunion scene's contexts
|b Topics and tropes : two preludes by Bach. Performers onscreen ; Underscore : four studies of the C major prelude
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| 410 |
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|0 091975395
|t Musical meaning and interpretation
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| 606 |
|
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|3 PPN027301125
|a Musique de film
|3 PPN02779038X
|x Histoire et critique
|2 rameau
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| 606 |
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|3 PPN028004469
|a Cinéma et musique
|2 rameau
|
| 700 |
|
1 |
|3 PPN140524347
|a Neumeyer
|b David
|4 070
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| 702 |
|
1 |
|3 PPN140524282
|a Buhler
|b James
|f 1964....
|4 070
|
| 801 |
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3 |
|a FR
|b Abes
|c 20200107
|g AFNOR
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| 801 |
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|b DLC
|g AACR2
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| 801 |
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2 |
|b YDX
|g AACR2
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| 979 |
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|a PHILO
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| 930 |
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|5 441092211:540027499
|b 441092211
|j s
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| 998 |
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|a 735078
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Nantilus
