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01783cam a2200481 4500 |
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PPN181700220 |
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http://www.sudoc.fr/181700220 |
| 005 |
20240425060200.0 |
| 010 |
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|a 978-0-226-16635-3
|b rel.
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| 010 |
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|a 0-226-16635-X
|b rel.
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|a 978-0-226-16649-0
|b br.
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| 010 |
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|a 0-226-16649-X
|b br.
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| 020 |
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|a US
|b 2013048791
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| 020 |
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|a GB
|b B467605
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| 035 |
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|a (OCoLC)895140699
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|a ocn868147493
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| 035 |
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|a AU@000052401442
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| 073 |
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1 |
|a emx
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| 073 |
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|a 9780226166490
|b br.
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| 100 |
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|a 20141113h20142014k y0frey0103 ba
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|a eng
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|a US
|a GB
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| 105 |
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|a y a 001yy
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| 106 |
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|a r
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| 181 |
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|6 z01
|c txt
|2 rdacontent
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1 |
|6 z01
|a i#
|b xxxe##
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|6 z01
|c n
|2 rdamedia
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|6 z01
|a n
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| 200 |
1 |
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|a What about Mozart ? What about murder ?
|e reasoning from cases
|f Howard S. Becker
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| 210 |
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|a Chicago
|c The University of Chicago Press
|d cop. 2014
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| 215 |
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|a 1 vol. (X-204 p.)
|d 23 cm
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| 320 |
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|a Bibliogr. p. [189]-195. Index
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| 359 |
2 |
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|b First look
|b What's happening elsewhere: Reasoning from a case to the world
|b Reasoning from analogy
|b Black boxes: Using cases to study input-output machines
|b Complicating and combining black boxes: Where is the value in art?
|b Imagining cases
|b Where do you stop?
|b IOUs, promissory notes, and killer questions: What about Mozart? What about murder?
|b Last words
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| 606 |
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|3 PPN027248968
|a Sociologie
|x Méthodologie
|2 rameau
|
| 606 |
|
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|3 PPN034036571
|a Raisonnement par cas
|2 rameau
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| 700 |
|
1 |
|3 PPN028063325
|a Becker
|b Howard Saul
|f 1928-2023
|4 070
|
| 801 |
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3 |
|a FR
|b Abes
|c 20171021
|g AFNOR
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| 801 |
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0 |
|b ICU/DLC
|g AACR2
|
| 801 |
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1 |
|b UBY
|g AACR2
|
| 801 |
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2 |
|b CGU
|g AACR2
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| 930 |
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|5 441092207:665745648
|b 441092207
|j g
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| 979 |
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|a SOC
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| 998 |
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|a 869920
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Nantilus
