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Music, sound and filmmakers : sonic style in cinema
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| Autres auteurs : | |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki |
| Publié : |
New York (N.Y.) [etc.] :
Routledge
, cop. 2012 |
| Description matérielle : | 1 vol. (XV-210 p.) |
| Collection : | Routledge music and screen media series series editor, Neil Lerner |
| Sujets : |
- Introduction : sonic style in cinema / James Wierzbicki
- Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman
- Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather
- "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters
- Kieslowski's musique concrète / Joseph G. Kickasola
- Gus Van Sant's soundwalks and audio-visual musique concrète / Danijela Kulezic-Wilson
- Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald
- Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee
- Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte
- The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston
- The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro
- The attractions of repetition : Tarantino's sonic style / Lisa Coulthard
- Dream timbre : notes on Lynchian sound design / Isabella van Elferen