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1 |
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|a Music, sound and filmmakers
|e sonic style in cinema
|f edited by James Wierzbicki
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| 210 |
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|a New York (N.Y.) [etc.]
|c Routledge
|d cop. 2012
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| 215 |
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|a 1 vol. (XV-210 p.)
|c ill., couv. ill.
|d 23 cm
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| 225 |
2 |
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|a Routledge music and screen media series
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| 320 |
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|a Notes bibliogr. Bibliogr. p. [191]-201. Index
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| 359 |
2 |
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|b Introduction : sonic style in cinema / James Wierzbicki
|b Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman
|b Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather
|b "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters
|b Kieslowski's musique concrète / Joseph G. Kickasola
|b Gus Van Sant's soundwalks and audio-visual musique concrète / Danijela Kulezic-Wilson
|b Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald
|b Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee
|b Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte
|b The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston
|b The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro
|b The attractions of repetition : Tarantino's sonic style / Lisa Coulthard
|b Dream timbre : notes on Lynchian sound design / Isabella van Elferen
|
| 410 |
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| |
|0 151664145
|t Routledge music and screen media series
|f series editor, Neil Lerner
|c New York
|n Routledge
|d 2010
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| 606 |
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