The Oxford handbook of film music studies

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Détails bibliographiques
Auteur principal : Neumeyer David (Directeur de publication)
Format : Livre
Langue : anglais
Titre complet : The Oxford handbook of film music studies / edited by David Neumeyer
Publié : Oxford : Oxford Univesity Press , C 2014
Description matérielle : 1 vol. (X-683 p.)
Sujets :
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359 2 |b Overview / David Neumeyer  |b Music and the ontology of the sound film / James Buhler and David Neumeyer  |b Opera and film / Marcia Citron  |b Visual representation of film sound as analytical tool / Rick Altman  |b Film music from the perspective of cognitive science / Annabel Cohen  |b Composing for film / Peter Schweinhardt and Johannes C. Gall ; translated by Oliver Dahin  |b Ontological, formal, and critical theories of film music and sound / James Buhler  |b Drawing a new narrative for cartoon music / Daniel Goldmark  |b Genre theory and the film musical / Cari McDonnell  |b The tunes they are a-changing / Jeff Smith  |b The compilation soundtrack from the 1960s to the present / Julie Hubbert  |b The origins of musical style in video games, 1977-1983 / Neil Lerner  |b Classical music, virtual bodies, narrative film / Lawrence Kramer  |b Gender, sexuality, and the soundtrack / James Buhler  |b Psychoanalysis, apparatus theory, and subjectivity / James Buhler  |b Case studies--introduction / Robynn Stilwell  |b Case study 1, The order of sanctity / Mitchell Morris  |b Case study 2, Strange recognitions and endless loops / Julie McQuinn  |b Transformational theory and the analysis of film music / Scott Murphy  |b Listening in film / Marianne Kielian-Gilbert  |b Auteurship and agency in television music / Ronald Rodman  |b When the music surges / Michael Pisani  |b Audio-visual palimpsests / Julie Brown  |b Performance practices and music in early cinema outside hollywood / Kathryn Kalinak  |b Performing prestige / Nathan Platte 
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