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The calligraphy of medieval music
The Calligraphy of Medieval Music treats the practical aspects of the book making and music writing trades in the Middle Ages. It covers most major regions of music writing in medieval Europe, from Sicily to England and from Spain to the eastern Germanic regions. Specific issues raised by the contri...
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| Other Authors : | |
|---|---|
| Format : | Book |
| Language : | anglais français |
| Title statement : | The calligraphy of medieval music / John Haines (ed.) |
| Published : |
Turnhout :
Brepols (éditions)
, 2011 |
| Series : | Musicalia Medii Aevi dirigée par Olivier Cullin ; 1 |
| Online Access : |
Via Nantes Université network
|
| Subjects : | |
| Related Items : | Additional physical form:
The calligraphy of medieval music |
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| 003 | http://www.sudoc.fr/165093447 | ||
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| 035 | |a (OCoLC)835192245 | ||
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| 200 | 1 | |a The calligraphy of medieval music |f John Haines (ed.) | |
| 210 | |a Turnhout |c Brepols (éditions) |d 2011 | ||
| 225 | 2 | |a Musicalia Medii Aevi |v 1 | |
| 230 | |a Données textuelles | ||
| 302 | |a Textes en anglais, une contribution en français | ||
| 303 | |a Notice rédigée d'après la consultation du 2012-10-31 | ||
| 303 | |a L'impression du document génère 276 p. | ||
| 304 | |a Titre provenant de l'écran d'accueil | ||
| 305 | |a Numérisation de l'édition de Turnhout : Brepols, 2011 | ||
| 310 | |a L'accès complet à la ressource est possible pour les usagers de tous les établissements publics français (situés ou non sur le territoire français) ayant des missions d'enseignement supérieur et/ou de recherche, des établissements d'enseignement supérieur privés, des bibliothèques publiques | ||
| 314 | |a Réunit principalement des articles de la conférence du même titre tenue le 21-23 septembre 2007 à l'Université de Toronto | ||
| 320 | |a Bibliogr. en fin de contributions. Notes bibliogr. | ||
| 330 | |a The Calligraphy of Medieval Music treats the practical aspects of the book making and music writing trades in the Middle Ages. It covers most major regions of music writing in medieval Europe, from Sicily to England and from Spain to the eastern Germanic regions. Specific issues raised by the contributors include the pricking and ruling of books; the writing habits of scribes and their reliance on memory; the cultural influence of monastic orders such as the Carthusians; graphic variants between regional styles of music notation ranging from tenth-century Saint-Gall to sixteenth-century Cambrai; and the impact of print on late medieval notation. The volume opens with a few essays dealing with general issues such as page layout and manuscript production both in and out of medieval Europe. The second part of the book covers early music notations from the tenth and eleventh centuries, and the third part, the twelfth to the sixteenth centuries. | ||
| 337 | |a Navigateur Internet ; lecteur de fichiers PDF | ||
| 359 | 2 | |p P. 7 |c Introduction / John Haines |b Part I, Writing medieval music |p P. 13 |c 1, Toward a scientific palaeography of music / Michel Huglo |p P. 23 |c 2, The codicology of late medieval music manuscripts : some preliminary observations / Albert Derolez |p P. 37 |c 3, Manuscript production in Ethiopia : an ongoing practice / Getatchew Haile |b Part II, Early medieval notations |p P. 47 |c 4, Calligraphy and the study of neumatic notations / Susan Rankin |p P. 63 |c 5, La notation neumatique bretonne : manuscrits et centres de diffusion (Xe-XIIe siècle) / Jean-Luc Deuffic |p P. 91 |c 6, Dating neumes according to their morphology : the corpus of Toledo / Susana Zapke |p P. 101 |c 7, Music writing styles in medieval Italy / Giacomo Baroffio |p P. 125 |c 8, Liturgical books and book production in the thirteenth-century diocese of Chartres : the case of Biblioteca Apostolica Vaticana, Vat. Lat. 4756 / Margot Fassler |p P. 153 |c 9, Some characteristic neumes in North French, Sicilian and Italian chant / David Hiley |p P. 163 |c 10, The earliest developments in square notation : twelfth-century Aquitaine / Michel Huglo |b Part III, Later medieval notations |p P. 175 |c 11, Notation in Carthusian liturgical books : preliminary remarks / Olivier Cullin |p P. 195 |c 12, Dominican and Franciscan books : similarities and differences between their notations / Michel Huglo |p P. 203 |c 13, On 'ligaturae' and their properties : medieval music notation as esoteric writing / John Haines |p P. 223 |c 14, Interpreting the deluxe manuscript : exigencies of scribal practice and manuscript production in Machaut / Lawrence Earp |p P. 241 |c 15, The consequences of Ars Nova notation / Anna Maria Busse Berger |p P. 253 |c 16, The meeting of chant and polyphony in monophonic square notation from Cambrai Cathedral 1250-1550 / Barbara Haggh | |
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