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Reading Gothic Architecture
The Gothic style is now one of the supreme products of Medieval and Renaissance visual culture. Subject to multiple readings and (re)interpretations from ca. 1500 to the present, Gothic stands as one of two dominant languages of European historical architecture. This volume explores methods of readi...
Enregistré dans:
| Autres auteurs : | |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Reading Gothic Architecture / [édité par] Matthew M. Reeve |
| Publié : |
Turnhout :
Brepols (éditions)
, 2008 |
| Collection : | Studies in the visual cultures of the Middle Ages series editor, Kathryn A. Smith ; 1 |
| Accès en ligne : |
Accès Nantes Université
|
| Sujets : | |
| Documents associés : | Autre format:
Reading gothic architecture |
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| 200 | 1 | |a Reading Gothic Architecture |f [édité par] Matthew M. Reeve | |
| 210 | |a Turnhout |c Brepols (éditions) |d 2008 | ||
| 225 | 2 | |a Studies in the Visual Cultures of the Middle Ages |v 1 | |
| 230 | |a Données textuelles | ||
| 303 | |a Notice rédigée d'après la consultation du 2011-04-08 | ||
| 303 | |a L'impression du document génère 160 p. | ||
| 304 | |a Titre provenant de l'écran d'accueil | ||
| 305 | |a Numérisation de l'édition de Turnhout : Brepols, 2008 | ||
| 310 | |a L'accès complet à la ressource est possible pour les usagers de tous les établissements publics français (situés ou non sur le territoire français) ayant des missions d'enseignement supérieur et/ou de recherche, des établissements d'enseignement supérieur privés, des bibliothèques publiques | ||
| 320 | |a Notes bibliogr. | ||
| 330 | |a The Gothic style is now one of the supreme products of Medieval and Renaissance visual culture. Subject to multiple readings and (re)interpretations from ca. 1500 to the present, Gothic stands as one of two dominant languages of European historical architecture. This volume explores methods of reading and interpreting the Gothic from the twelfth through the sixteenth century. Following the editor s introduction, it contains ten essays written by leading scholars from Canada, the United States, and Great Britain. In challenging the traditional parameters of Gothic, the papers explore Medieval and Renaissance manifestations of the Gothic, and they consider material ranging geographically from Ireland to Poland, and from Paris to Sicily. Each paper explores ways in which Gothic was or could be read by the contemporary viewers for which it was designed, and by post-modern commentators. In placing the act of reading at the centre of their investigations, the papers offer significant new insights into the forms and meanings of the Gothic. | ||
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