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Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
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| Auteur principal : | |
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| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance / James F. Wilson |
| Publié : |
Ann Arbor :
University of Michigan Press
, cop. 2010 |
| Description matérielle : | 1 vol. (IX-260 p.) |
| Collection : | Triangulations: lesbian/gay/queer theater/drama/performance |
| Contenu : | Introduction: "It's getting dark on old Broadway". "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s). "Harlem on my mind": New York's black belt on the Great White Way. "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle. "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters. "In my well of loneliness": Gladys Bentley's Bulldykin' blues. Conclusion: "you've seen Harlem at its best |
| Sujets : |
| Bibliographie : | Bibliogr. p. 231-248. Index |
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| ISBN : | 978-0-472-11725-3 0-472-11725-4 978-0-472-02696-8 0-472-02696-8 |