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Francophone African cinema : history, culture, politics and theory
"This book offers a transnational and interdisciplinary analysis of 16 Francophone African films studied in the context of transnational conversations between African filmmakers and conventional theorists. It examines black French filmmakers' treatments of a number of cross-cultural themes...
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| Auteur principal : | |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Francophone African cinema : history, culture, politics and theory / K. Martial Frindéthié |
| Publié : |
Jefferson (N.C.), London :
McFarland
, cop. 2009 |
| Description matérielle : | 1 vol. (VIII-263 p.) |
| Sujets : |
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| 200 | 1 | |a Francophone African cinema |b Texte imprimé |e history, culture, politics and theory |f K. Martial Frindéthié | |
| 210 | |a Jefferson (N.C.) |a London |c McFarland |d cop. 2009 | ||
| 215 | |a 1 vol. (VIII-263 p.) |c ill. |d 23 cm | ||
| 320 | |a Bibliogr. p. 247-251. Index | ||
| 330 | |a "This book offers a transnational and interdisciplinary analysis of 16 Francophone African films studied in the context of transnational conversations between African filmmakers and conventional theorists. It examines black French filmmakers' treatments of a number of cross-cultural themes, including intercontinental encounters and reciprocity, ideology and subjective freedom, governance and moral responsibility, sexuality and social order, and globalization"--Provided by publisher | ||
| 359 | 2 | |b Introduction: engaging African cinema |b "There is no conversation here, my boy": spectral returns of Fanon and Hegel in Bassek Ba Kobhio's The great white man of Lambaréné |b The language you govern in: the rise and fall of the African despot in Balufu Bakupa Kanyinda's Le damier: Papa national oyé and Cheick Oumar Sissoko's Guimba the tyrant |b Nostalgic memories and nomadic spirits: Merzak Allouache's Bab-el-oued and Karim Dridi's Bye-bye |b Allegorizing the quest for autonomy: Cheick Oumar Sissoko's Finzan and Amadou Seck's Saaraba |b Writing the soxual order: Ousmane Sembåne's Faat Kiné and Ngangura Mweze's La vie est belle |b Cogito must have gone crazy: construction and/as deconstruction of masculinity in Nouri Bouzid's Bent familia and Mufida Tlatli's The silences of the palace |b Keita: the heritage of the griot: economic, social, and cultural organization of ancient Africa |b Crisis in French Africa as hexagonal possibility: globalization à la françiaise |b "There is no trade going on there": tales from the killing fields of the Congo |b Conclusion | |
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