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| LEADER |
01708nam a2200313 4500 |
| 001 |
PPN131898221 |
| 005 |
20110912041200.0 |
| 010 |
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|a 978-0-472-11558-7
|b rel.
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| 010 |
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|a 0-472-11558-8
|b cloth : alk. paper
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| 035 |
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|a (OCoLC)494650258
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| 100 |
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|a 20090312d2008 k b0frey0103 ba
|
| 101 |
0 |
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|a eng
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| 102 |
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|a US
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| 105 |
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|a a a 001|y
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| 200 |
1 |
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|a Counterculture kaleidoscope
|b Texte imprimé
|e musical and cultural perspectives on late sixties San Francisco
|f Nadya Zimmerman
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| 210 |
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|a Ann Arbor
|c University of Michigan Press
|d cop. 2008
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| 215 |
|
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|a 1 vol. (230 p.)
|c couv. ill. en coul.
|d 24 cm
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| 320 |
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|a Bibliogr. p. 207-220. Index
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| 327 |
1 |
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|a Refusing to play, pluralism, and anything goes: defining the counterculture
|a The outlaw persona: Joplin, big brother, and pluralism in black and white
|a The exotic persona: absorbing the postcolonial political pill
|a The natural persona: freedom, the grateful dead, and an anticommercial counterculture
|a The new age persona: sex, spirituality, and escaping to the now
|a Helter Skelter: lessons from the end of the counterculture
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| 606 |
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|3 PPN027295524
|a Contre-culture
|3 PPN027250636
|y Californie (États-Unis)
|3 PPN027546624
|y San Francisco (Calif.)
|3 PPN02726470X
|x Histoire
|3 PPN086305646
|z 20e siècle
|2 rameau
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| 606 |
|
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|3 PPN027238032
|a Rock (musique)
|3 PPN027250636
|y Californie (États-Unis)
|3 PPN027546624
|y San Francisco (Calif.)
|3 PPN02779038X
|x Histoire et critique
|2 rameau
|
| 660 |
|
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|a n-us-ca
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| 676 |
|
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|a 979.4/61054
|v 22
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| 680 |
|
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|a F869.S36
|b H357 2008
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| 700 |
|
1 |
|3 PPN131899112
|a Zimmerman
|b Nadya
|4 070
|
| 801 |
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3 |
|a FR
|b Abes
|c 20090312
|g AFNOR
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| 930 |
|
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|5 441092102:431278067
|b 441092102
|j u
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| 979 |
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|a LET
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| 998 |
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|a 611919
|
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