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02369cam a2200421 4500 |
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PPN108521818 |
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http://www.sudoc.fr/108521818 |
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20240320152700.0 |
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|a 0-521-45374-7
|b rel.
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|a 0-521-61939-4
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|a (OCoLC)493511554
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|a 9780521619394
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|a 20060907d1995 k y0frey0103 ba
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|a eng
|2 639-2
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|a GB
|a US
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|a ag a 001yy
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|a r
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|c txt
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|a The Practice of performance
|e studies in musical interpretation
|f edited by John Rink
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|a Cambridge [England]
|a New York, NY, USA
|c Cambridge University Press [etc.]
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|d C 1995
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|a 1 vol. (xiii-290 p.)
|c ill., musique
|d 26 cm
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|a Autres tirages :1998, 2005 (broché)
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|a Bibliogr. à la fin des contributions. Index
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2 |
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|b Part 1. Fundamentals
|c What do we perform? / Roy Howat
|c Expression in performance: generativity, perception and semiosis / Eric Clarke
|c Musical motion and performance: theoretical and empirical perspectives / Patrick Shove and Bruno H. Repp
|c Deliberate practice and elite musical performance / Ralf Th. Krampe and K. Anders Ericsson
|b Part 2. Structure and meaning in performance
|c The conductor and the theorist: Furtwangler, Schenker and the first movement of Beethoven's Ninth Symphony / Nicholas Cook
|c A curious moment in Schumann's Fourth Symphony: structure as the fusion of affect and intuition / David Epstein
|c Beginning-ending ambiguity: consequences of performance choices / Janet M. Levy
|c Strategies of irony in Prokofiev's Violin Sonata in F Minor op. 80 / Ronald Woodley
|b Part 3. Performance as process
|c Performance and analysis: interaction and interpretation / Joel Lester
|c Analysis and the act of performance / William Rothstein
|c The pianist as critic / Edward T. Cone
|c Playing in time: rhythm, metre and tempo in Brahms' Fantasien op. 116 / John Rink
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|3 PPN027839680
|a Exécution (musique)
|2 rameau
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| 676 |
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|a 781.4/3
|v 20
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| 680 |
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|a ML457
|b .P72 1995
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| 702 |
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1 |
|3 PPN034306307
|a Rink
|b John
|4 651
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| 801 |
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|a FR
|b Abes
|c 20220419
|g AFNOR
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|b PORT
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|a PHILO
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|5 441092107:725414804
|b 441092107
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|a 925339
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Nantilus
