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|a 0-521-64099-7
|b hardback
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|b 9842850
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|b 99-Y3436
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|a 20000124d1999 ||||0frey0103 ba
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|a eng
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|a GB
|a US
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|a y |||||||||
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|a Contesting the Gothic
|b Texte imprimé
|e fiction, genre and cultural conflict, 1764-1832
|f James Watt
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210 |
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|a Cambridge
|a New York (N.Y.)
|c Cambridge University Press
|d 1999
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215 |
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|a X-205 p.
|d 24 cm
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225 |
1 |
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|a Cambridge studies in Romanticism
|v 33
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320 |
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|a Bibliogr. p. 186-200. Index
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327 |
1 |
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|a Origins : Horace Walpole and The castle of Otranto
|a Loyalist gothic romance
|a Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis
|a First poetess of romantic fiction: Ann Radcliffe
|a Field of romance: Walter Scott, the Waverley novels, the Gothic
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410 |
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|9 330
|0 013736515
|t Cambridge studies in Romanticism
|v 33
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606 |
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|3 PPN027497623
|a Littérature fantastique
|3 PPN027228231
|y Grande-Bretagne
|3 PPN027794512
|z 18e siècle
|2 rameau
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606 |
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|3 PPN027497623
|a Littérature fantastique
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|y Grande-Bretagne
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|z 18e siècle
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|x Thèses
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|x Histoire et critique
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|z 19e siècle
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|x Histoire et critique
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|3 PPN028727185
|a Récits d'horreur anglais
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|y Grande-Bretagne
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|3 PPN027257959
|a Néo-gothique (littérature)
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