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LEADER |
01775cam a2200529 4500 |
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PPN007657994 |
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20200513055100.0 |
010 |
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|a 0-19-502802-3
|b br.
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010 |
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|a 0-19-502806-6
|b rel.
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020 |
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|a US
|b 8016848 //r88
|
035 |
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|a 022713786
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|a 072761415
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|a sib0247206
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|a ocm06446510
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|a AIC10870028
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|a DYNIX_BUNAN_352369
|
100 |
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|a 19901123d1981 ||||0frey0103 ba
|
101 |
0 |
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|a eng
|
102 |
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|a US
|
105 |
|
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|a y |||||||||
|
200 |
1 |
|
|a How to read a film
|e the art technology language, history of theory of film and media
|f James Monaco
|g with diagrs. by David Lindroth
|
205 |
|
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|a Rev. ed.
|
210 |
|
|
|a New York
|c Oxford University Press
|d 1981
|
215 |
|
|
|a xv, 533 p.
|c ill.
|d 24 cm
|
300 |
|
|
|a Index
|
320 |
|
|
|a Bibliogr.: p. 465-493. Index
|
606 |
|
|
|3 PPN033958157
|a Cinéma
|x Technique
|2 rameau
|
606 |
|
|
|3 PPN027554643
|a Cinéma
|x Histoire et critique
|2 rameau
|
606 |
|
|
|3 PPN034454616
|a Cinéma
|x Théorie
|2 rameau
|
606 |
|
|
|3 PPN027237524
|a Médias
|2 rameau
|
606 |
|
|
|3 PPN027285979
|a Cinéma
|2 rameau
|
676 |
|
|
|a 791.43/01/5
|
680 |
|
|
|a PN1994
|b .M59 1981
|
700 |
|
1 |
|3 PPN031920055
|a Monaco
|b James
|
801 |
|
3 |
|a FR
|b Abes
|c 20041227
|g AFNOR
|
801 |
|
3 |
|a FR
|b SF
|c 20041227
|g AFNOR
|
801 |
|
1 |
|a US
|b OCLC
|c 20041227
|g AACR2
|
801 |
|
2 |
|a FR
|b AUROC
|c 20041227
|g AFNOR
|
801 |
|
3 |
|a FR
|b AIC
|c 19990830
|
915 |
|
|
|5 441092102:181015129
|a 0083365878
|b 0083365878
|
915 |
|
|
|5 441092102:181015137
|a 0083199862
|b 0083199862
|
919 |
|
|
|5 441092102:181015129
|a 0083365878
|
919 |
|
|
|5 441092102:181015137
|a 0083199862
|
930 |
|
|
|5 441092102:181015129
|b 441092102
|a 791.43 MON
|j u
|
930 |
|
|
|5 441092102:181015137
|b 441092102
|a 791.43 MON
|j u
|
979 |
|
|
|a LET
|
998 |
|
|
|a 151149
|