Nantilus
The Oxford handbook of film music studies
Enregistré dans:
| Auteur principal : | |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | The Oxford handbook of film music studies / edited by David Neumeyer |
| Publié : |
Oxford :
Oxford Univesity Press
, C 2014 |
| Description matérielle : | 1 vol. (X-683 p.) |
| Sujets : |
- Overview / David Neumeyer
- Music and the ontology of the sound film / James Buhler and David Neumeyer
- Opera and film / Marcia Citron
- Visual representation of film sound as analytical tool / Rick Altman
- Film music from the perspective of cognitive science / Annabel Cohen
- Composing for film / Peter Schweinhardt and Johannes C. Gall ; translated by Oliver Dahin
- Ontological, formal, and critical theories of film music and sound / James Buhler
- Drawing a new narrative for cartoon music / Daniel Goldmark
- Genre theory and the film musical / Cari McDonnell
- The tunes they are a-changing / Jeff Smith
- The compilation soundtrack from the 1960s to the present / Julie Hubbert
- The origins of musical style in video games, 1977-1983 / Neil Lerner
- Classical music, virtual bodies, narrative film / Lawrence Kramer
- Gender, sexuality, and the soundtrack / James Buhler
- Psychoanalysis, apparatus theory, and subjectivity / James Buhler
- Case studies
- introduction / Robynn Stilwell
- Case study 1, The order of sanctity / Mitchell Morris
- Case study 2, Strange recognitions and endless loops / Julie McQuinn
- Transformational theory and the analysis of film music / Scott Murphy
- Listening in film / Marianne Kielian-Gilbert
- Auteurship and agency in television music / Ronald Rodman
- When the music surges / Michael Pisani
- Audio-visual palimpsests / Julie Brown
- Performance practices and music in early cinema outside hollywood / Kathryn Kalinak
- Performing prestige / Nathan Platte